For computer artists, Finale was an absolutely stupid program made for composers. The Korg M1 mythology was that PCM sampling at 16 bit, 22 kHz was an appropriate replay rate for acoustic and digital instruments. The Sopranino was a ridiculously high, but interesting sax.
Enter Enima Acoustics, or Enigma Acoustics, if you prefer, and a nice looking product, finally.
It's interesting how they've made their speaker look like the encapsulation of a waveform, represented in two dimensions, but poor how they've done it.
Horn lovers may like the design, however.
JP
www.enigmacoustics.com
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